SKU: 53559636312
blackstar pedals dept 10

blackstar pedals dept 10 Blackstar AMPED 1 Dept.10 100 Watt Guitar Amp Pedal

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Description

blackstar pedals dept 10 Blackstar AMPED 1 Dept.10 100 Watt Guitar Amp PedalThe Blackstar Dept. 10 AMPED 1 is a professional 100 Watt guitar amp in a compact pedal. It turns any pedalboard, modeller, or multi effector into a performance ready amp and ensures you can take your sound with you anywhere. The power amplifiers unique, high headroom design does not compromise on output even at 16 Ohms. Get maximum power and optimum tone with any cabinet set up at 8 or 16 Ohms. Blackstars patented Response control offers distinctly

 

The Blackstar Dept. 10 AMPED 1 is a professional 100-Watt guitar amp in a compact pedal. It turns any pedalboard, modeller, or multi-effector into a performance ready amp and ensures you can take your sound with you anywhere.

 

The power amplifier’s unique, high-headroom design does not compromise on output even at 16 Ohms. Get maximum power and optimum tone with any cabinet set-up at 8 or 16 Ohms. Blackstar’s patented Response control offers distinctly different and authentic power valve responses and guitar amp dynamics.

Fine-tune your cabinet, mic, and room simulations with our CabRig technology and output via XLR  or stereo jack. Or, connect via USB for effortlessly simple recording to your DAW without the need for an interface.

 

Switchable Power Valve Responses:

The Response control delivers five distinctly different authentic power valve responses - KT88, 6L6, EL34, 6V6, EL84. Each setting delivers the response, dynamics, sag and break-up characteristics of the selected valve power amp. The Linear response offers transparent power amplification, used in combination with the Flat voice when pairing your AMPED 1 with an external amp modeller. 

CabRig:

Includes our next-generation DSP Speaker simulator that reproduces the sound and feel of a mic'd up guitar cab in incredible detail. Deep-dive using the accompanying free Architect software and capture the incredible tones via USB / XLR out. 

Specifications:

  • Power - 100W
  • Type - Digital with Class D Power Amp
  • Voice - USA, UK, Flat
  • EQ - Bass, Middle, Treble
  • Power Reduction - 100W, 20W, 1W
  • Response - KT88, 6L6, EL34, 6V6, EL84, Linear
  • Reverb - Yes (more settings via Architect)
  • Reverb Freeze - Yes
  • USB Audio - Yes (4 channel)
  • XLR CabRig Output - Yes
  • Effects Loop - Yes (series or parallel selectable in Architect)
  • Footswitchable Preset - Yes 
  • MIDI Control - Yes
  • Speaker Outputs - 8 Ohm, 16 Ohm
  • 9V DC Outputs - 2 
  • Voltage - 100V to 240V 
  • Weight - ~3.5lbs
  • Dimensions - 7.8in x 3.2in x 5.8in
Shipping Notes
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 53559636312

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Trendy Chic
Lake Worth, US
★★★★★ 5
Not what I was expecting, but I liked it.
Format: Paperback
My first book by Emma Slate. Wonderful writing style, I wanna read some more MC books.
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Reviewed in the United States on September 8, 2024
M
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Matthew
Battle Creek, US
★★★★★ 1
Poor read
Format: Paperback
Not worth the hype. Was poorly written and had to put it down and not finish it.
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Reviewed in the United States on May 20, 2025
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T
Pawtucket, US
★★★★★ 4
Great story
Format: Paperback
I’m not an avid reader, but this was finished in a few days. Such a good book!
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Reviewed in the United States on June 14, 2025
A
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AMD
Cuba, US
★★★★★ 3
Won’t be buying book two.
Format: Paperback
Entertaining enough but poorly written. Lots of typos. Won’t be buying book two.
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Reviewed in the United States on July 8, 2025
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Dr.C.J.Singh.Wallia
Phoenix, US
★★★★★ 5
An Excellent Primer on Novel-Writing
Format: Paperback
WIRED FOR STORY By Lisa Cron Reviewed by C J Singh (Berkeley, California) Excellent Primer on Novel-Writing In Berkeley, California, we happily have access to four independent bookstores that display literary novels and creative-writing craft books. Browsing, I picked up two books by Lisa Cron on using "Brain Science" for writing fiction. The jacket quote by Caroline Leavitt rivetted my attention: "I'd never consider writing a novel without Lisa's input, and neither should you." As a longtime fan of Leavitt's novels "Is This Tomorrow," " Pictures of You, " "Girls in Trouble," I looked up Stanford Continuing Education where Leavitt regularly teaches online courses. As a Stanford Alumnus (Psychology PhD), I've taken several on-campus and online workshops on fiction-writing. While still at the bookstore, I promptly signed up for Leavitt's soon-to-begin course that uses two coaching books: Cron's Wired For Story and John Truby's The Anatomy of Story. I'm familiar with Truby's book and its nine excellent exercises. See my detailed review on amazon: https://www.amazon.com/review/R29NU7U6LAHGBV/ Here's my review of Lisa Cron's "Wired For Story" "WIRED FOR STORY' presents a unique, distinguishing feature among fiction-writing primers: throughout its text, the author includes excerpts from the published works of leading contemporary brain-scientists that validate the principles of narrative craft. Cron explains the principles of narrative craft in twelve well-organized chapters that focus on theme, the protagonist's issue, characters' bios, points of view, rising conflicts, subplots, suspense, reveals, and the arc from setup to payoff. At the beginning of each chapter, she presents sentences in italics that illuminate the cognitive-science underpinnings of narrative craft. Examples follow. "Cognitive Secret: When the brain focuses its full attention on something, it filters out all unnecessary information. Story Secret: To hold the brain's attention, everything in a story must be there on a need-to-know basis" (page 23). . "Cognitive Secret: Everything we do is goal directed and our biggest goal is figuring out everyone else's agenda, the better to figure out our own. Story Secret: A protagonist without a clear goal has nothing to figure out and nowhere to go" (p 65) . "Cognitive Secret: It takes long-term, conscious effort to hone a skill before the brain assigns it to the cognitive unconscious. "Story Secret: There's no writing; there's only rewriting" (p 219). Also remarkable are sentences in bold that challenge advice offered in some writing-craft workshops and books. Examples follow. "Myth: Write What You Know. "Reality: Write What You Know EMOTIONALLY" (p 62). . "Myth: Sensory Details Bring a Story to Life." "Reality: Unless They Convey Necessary Information, Sensory Details Clog a Story's Arteries" (p 118). . "Myth: `Show, Don't Tell' Is Literal - Don't Tell Me John Is Sad, Show Him Crying. "Reality: `Show, Don't Tell Is Figurative - Don't Tell Me John Is Sad, Show Me WHY He's Sad" (p 152). Has the author introduced a Myth of her own? I am afraid so. On page 57, "No matter whose point of view you're writing in, you may be in only one head per scene." In my opinion, the Reality is: No matter whose point of view you're writing in, you may be in only one head per PARAGRAPH. This is the new reality -- virtually every fiction-readers' perception has been reshaped by watching films and TV dramas that imply the camera engaged in frequent head-hopping in a scene. At the end of each chapter, Cron presents a concise series of checkpoints to remind the readers while they develop their work-in-progress. Throughout, she includes many examples from literary works and films. Literary works like Gabriel Marquez's "Love in the Time of Cholera," Margaret Mitchell's "Gone with the Wind," and Caroline Leavitt's "Girls in Trouble." Films like "It's a Wonderful Life," "Vertigo," and "American Graffiti." An inspiring citation for writers: " `Recent breakthroughs in neuroscience reveal that our brain is hardwired to respond to story.... It turns that a powerful story can have a hand in rewiring the reader's brain -- helping empathy, for instance - `which is why writers are, and always have been among the most powerful people in the world'. " (On p 239 of Endnotes is the specific citation of three scientists' 2009 article "On Being Moved by Art: How Reading Fiction Transforms the Self" in the Creativity Research Journal vol. 21, no.1 ) WIRED FOR STORY fully earns its title with its numerous citations of recent contributions of neuroscience that validate narrative craft. Examples of cited works included are: V. S. Ramachandran's "The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human"; Michael Gazzaniga's "Human: The Science Behind What Makes Your Brain Unique; and Steven Pinker's "How the Mind Works." These stellar books illuminate the nexus between art and science; their shining light reflects on Lisa Cron's book as a five-star primer for novel-writing.
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Reviewed in the United States on March 7, 2020

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